Through crimson stars and silent stars and tumbling nebulas like oceans set on fire, through empires of glass and civilizations of pure thought and a whole terrible wonderful universe of impossibilities.
| — | Pope John XXIII (One of the most popular popes of all times (reigned 1958-63), Born November 25, 1881) |
| — | Anaïs Nin |
| — | Dalai Lama |
| — | Stephen Hawking |
“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.”
A Brave and Startling Truth
Written for the 50th Anniversary of the United Nations
“We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.
If we are bold, love strikes away the chains of fear from our souls.
Love costs all we are
and will ever be.
Yet it is only love
which sets us free.
A Brave and Startling Truth.
It is possible and imperative that we discover
A brave and startling truth.
When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
And without crippling fear
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonders of this world
That is when, and only when
We come to it.”
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“What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.”
- Leonard Cohen, Beautiful Losers (1966)
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